Introduction

How has the concept of illusion been depicted throughout art?



Modern philosopher Stephen Law writes "we are prisoners within our own minds", this may be considered true according to platonic philosophy which suggests that what we experience is a shadow of what exists on the peripheral. This point of view has been criticised by many although it has been found, through psychological studies, that our perception of 'reality' is influenced by what we have learned therefore suggesting that there may be a truth beyond what is merely superficial.  I will be investigating such philosophical premises and how they have been represented through art.

Many believe that we perceive reality purely through sense experience; however there have been many occasions were we have been deceived by our senses. For example, the way we perceive colour is dependent upon it’s context.
The image on the right is an effective example of how human perception is easily manipulated, it is apparent that squares ‘A’ and ‘B’ are different shades of grey, however this is not the case. In fact the shadow that is cast over square ‘B’ gives the impression that it is different. If one were to remove the shadow or alter the context of the colours they would see that square ‘A’ and ‘B’ are exactly the same. The reason for this being the human brain is interpreting the environment all the time, by trying to make sense of random bits of information, this makes our perceptions unreliable.



This is an excerpt from the BBC Two documentary 'Horizon', as it can be seen, our senses have failed us once again.


Our previous experiences also shape our judgement of the environment, this is something psychologists call ‘projection’ – we project our thoughts onto our environment thus causing the illusion ourselves. From an early age we are conditioned to have certain beliefs, or ideas, about how our environment should be perceived and how we should perceive ourselves. These ideas vary from person to person; from culture to culture therefore there is no objective reality showing that we are all experiencing an illusion, to some extent, however we may not all experience the same illusion!

 
 If our judgement is so easily manipulated as such, are we ever able to experience true reality?



Argument From Illusion

Argument From Illusion


This idea of perception offering an illusionary reality has been explored in philosophy through 'The Argument From Illusion'. This is almost a scientific approach as it alludes to our perception through 'sense data' - So we measure reality through our senses. The sense data theory was held by many 20th century philosophers - most notably Bertrand Russell and A.J Ayer. 

This is demonstrated through the analogy of refraction:


- When we view a stick that is half submerged in water we can see that the light causes it to refract, which makes it appear bent - HOWEVER we are aware that this is only an illusion. 

- When we take the stick out of the water we see that it is straight again - But how do we know this is reality?

-  The argument from illusion suggests that because human perception can be so easily manipulated it is impossible to tell reality from illusion. 

Many ancient philosophers have pondered on the premise of reality and illusion, including Plato.


 In his theory of the forms, philosopher, Plato suggested that what we experience in the 'physical world' is a shadow of what exists in the 'realm of forms'. The realm of forms is an external reality where every form of existence is infinite although it can only perceived after death. Plato goes on to explain that objects in the physical world can never be perfect as they are susceptible to change, he explains this through his 'allegory of the cave' which suggests that we are 'conditioned' to interpret our environment as true reality when this may not be the case.


'Plato's Cave':A Painting by Ken Stout (2007)








Imagery
Meaning
1.    There are three prisoners who have lived in a cave all their lives.
This represents human beings in the universe.
2.    They do not know about life outside of the cave and can only see shadows on the cave walls.
This represents our limited senses.
3.    These shadows are projected by  fire that burns behind them.
This represents 'projections' of the mind. Almost as if the fire is the 'cause' and the Shadow is the 'effect'.
4.    One day one of the prisoners manages to escape the cave.
This represents death or escape from the 'physical world' to the 'realm of forms' where everything is infinite and perfect. 
5.    The escaped prisoner finally realises that he has been fooled, and is blinded by the sun.
This represents 'enlightenment of knowledge'.
6.    The escaped prisoner goes back to tell the others however they do not believe him.
This represents the limited senses of those who have not been 'enlightened'. 




Famous Illusions

Famous Illusions

For centuries magicians have been fooling audiences with false reality. Many scientists suggest that cavemen drawings may have even been a form of magic as they believed that drawing their hunting trips will cause them to come to life. Obviously this did not work however it allowed the cavemen to have some self confidence when they went hunting.

During the middle-ages any sort of magic or conjuring was considered sinful due to religion portraying it as evil witchery however by the 17th century the interest in magic was minimal. This was mainly due to scientific advances, that  were able to disprove such illusions.

So now, magic is just a form of entertainment however some still believe it to be reality.


An act that I have been personally interested in recently is Penn & Teller as they invent cunning ways of fooling the audience as well as offering abstract ways of thinking. 

There's one trick in particular that interests me as it seems to resemble Plato's analogy of the cave, it's an illusion called 'Shadows' which Teller himself invented and executes so well: 


"People would fool themselves just to make that image be real to them" - Penn Jillette 

So it seems that illusions may be created by the self as well as the environment - causing us to live in a eternal loop of false reality. 

(Source(s): http://library.thinkquest.org/J0111851/history_of_magic.htm)

The Shadow Dance

The Shadow Dance by Samual Van Hoogstraten (1675) 
One artist that has used perspective and shadows to demonstrate platonic ideas of illusion is Samuel Van Hoogstraten in his drawing ‘the shadow dance’ (below). In this image Hoogstraten has used ‘shadow play’ to see how light can cause the distortion of scale as it can be seen that objects that are closer to the light can create a larger shadow than those that are farther away. It appears, in this drawing, that the shadows have been cast upon a screen. If the viewer observes closely they may see that at the bottom right of the drawing the audience can be seen peering through the screen which almost represents that of Plato’s escaped prisoner. The idea of the audience watching  on the other side of the screen can be correlated to the prisoners of Plato’s cave as they have been ‘fooled’ into believing that the magnificent shadows have been projected by real forms, when in reality their perceptions have been manipulated by the illusion of scale. 
In his book ‘A short history of the shadow’ author Victor I. Stoichita writes about the drawing “It illustrates that the study of cast shadows was not only a question of perspective but the product of empirical manipulation”. This is almost an identical to the ideas held by Plato in his allegory of the cave as Plato argues that empiricism may sometimes be unreliable.  


 










Contemporary Adaptation



Hoogstraten’s drawing inspired Rafael Lozano Hemmer's outdoor interactive installation ‘Body Movies’ (2001) which was based in the Netherlands and has been exhibited elsewhere. This piece consists of a projectors placed above the building and on ground level to create an exaggeration of scale when a shadow is cast upon the wall.

Hemmer tries to digitally reproduce the principles of Hoogstraten's drawing using a video tracker, a controller initiated by MIDI signals and a camera server which projects images of people onto the space while distorted shadows of passing pedestrians are cast upon the wall. This resembles Plato’s allegory as there is a lasting image (the projection) and a temporary illusion (The shadows).

The interactive aspect of this work reinforces the juxtaposition of what is empirical and what is supernatural because this dormant piece of architecture is transformed into a reflection, or refraction, of human perception and understanding. As Hemmer himself mentions "I'm interested in environments that involve your perception" and enjoys "creating an environment which is connected with people" so it seems that interaction is an integral part of depicting the divide between experience and that which is beyond all experience which, at this scale, has a very profound effect on the viewer.

Regardless of this, critic Graham Coulter Smith describes Hemmer, in his book Deconstructing installation Art, as a creative artist who has been "trained and conditioned to manipulate and transform rather than simply reproduce" the critic goes on to describe Hemmer's fault as a digital artist being an "obsession with technology" so, perhaps, implying that Hemmer should have taken a more reductionist approach in his technique in order to represent the inspiration from Hoogstraten's drawing. However, despite this, I believe that this is a very interesting, philosophically rich and successful piece by Hemmer even though his technique was rather difficult.


"I'm interested in environments that involve your perception ..." - Rafael Lozano Hemmer

(Source(s): Books --> 'Digital Art' by Christian Paul, 'De-constructing Installation' by Graham Coulter Smith:



A quote


“Whenever, therefore, people are deceived and form opinions wide of the truth, it is clear that the error has slid into their minds through the medium of certain resemblances to that truth.”
- Socrates

Walking Shadow


This is a video I have created reverting back to the concept of Plato's Cave analogy. 

I may expand on this by PROJECTING this video onto a large area along with another light projector to create the effect of different realms or even surreality. I kept the original sound from the recording to represent empiricism. 

Video Projected

An attempt at projecting the same video in a different context. I was hoping to demonstrate the principles of Lazano-Hemmer's work with the idea of the shadow being separate from the body, almost as if the self is an illusion as well as the environment.